From Richard Katrovas: My rants are off-the-cuff mini-lectures on topics relevant to students of both fiction and nonfiction writing. When I teach “hybrid” writing workshops–classes that meet only six times in the classroom over the course of a semester–I send these ephemeral ditties to my students as follow-ups to our spirited, if infrequent, class discussions. The ones included here are general enough to make sense, I hope, to folks who were not privy to the conversations that spawned them.Read More
Why the Prague Summer Program for Writers Has Existed for Twenty-five Years, and Why It May Endure Another Twenty-five
As we come upon our 25th anniversary session, Richard Katrovas (PSP founder and director) and Ema Katrovas (PSP coordinator) reflect on the historical context of these past 25 years of the Prague Summer Program for Writers. Read More
The PSP blog has covered many topics, ranging from the culture and history of the Czech people to be benefits of study abroad programs. Today’s entry will focus on an interesting cultural artifact that is perfectly legal in Prague, one that you’ve likely seen referenced in 19th and 20th century literature. If you’re an adventurous type and you decide to come along with us to the city of Prague for your European study abroad program, you’ll have the opportunity to try Absinthe.
At the end of Alois Jirásek´s 1894 book of Czech legends, from which we have drawn in our other retellings, there is a series of as-yet-unfulfilled prophesies. The most famous one, the one Czechs return to in times of trouble, is the last one, about the knights sleeping in Blaník mountain, which lies about an hour outside of Prague. It is important to consider the time when Jirásek was writing, a time when Czech national sentiments were high but national autonomy was still to be won. Because it´s relatively short, and because the English version is so difficult to obtain, we have translated Jirásek´s entire chapter on the knights of Blaník mountain from the Czech.
In our second installment of Bohemian Legends, we find ourselves five generations after the death of Přemysl, whom we met in the last legend. Now, king Křesomysl (whose name means, roughly, “a mind of stoking,” implying a love of fire) has taken to the throne and some of the prophesies we heard in the first legend have come true.
The resting place of Horymír´s loyal and slightly magical horse, Šemík, can be found in the village of Neumětely, where one can visit it to this day. A tomb, built in 1887 over the place where Šemík was supposedly buried, reads: “In Neumětely people believed, and still believe, that here lies Horymír´s loyal horse, Šemík.”
For writers, legends and myths may be the most captivating records of a particular culture. Bohemian legends are particularly captivating.
One of the first retellings of Bohemian legends comes from the 12th century Chronica Boemorum written by Cosmas of Prague in Latin. The legends recorded in these ancient texts were rediscovered during the Czech National Revival in the late 19th century, when Czechs were searching for an identity which would not be tethered to their Germanic overlords. The most famous retelling of Czech legends comes from this time, written by Alois Jirásek in beautiful, picturesque Czech.
The Prague Summer Program is a big advocate of multi-genre workshops, and, as we prepare to celebrate our twenty-fifth anniversary, we would like to encourage poets considering PSP to pursue new experiences. Be committed to your writing—as you must be if you are reading this blog—and face new challenges as they arise. For poets, we would encourage you to accept the challenge of work outside of your genre.
Time is always valuable to the creative writing workshop environment—even more so if the workshop has high enrollment and a tight schedule. If you have ever taken a creative writing workshop at a university, you know that even with fourteen or fifteen weeks, it can be a challenge to work through more than a few pieces per writer. To get the most out of your workshops abroad or at your local college or university, the Prague Summer Program has a few helpful suggestions.
The Prague Summer Program makes a point of giving you ample free time to use as you need. Of course, exploring Prague and traveling is a fine way to use this time (more on that in our other blog posts) but we like to think of the PSP as a generative study-abroad program. The time we give you is yours to use for your writing and, as past students will tell you, the program director Richard Katrovas is particularly open to spontaneously reading work you have just written. Finding time to write can be a challenge even when we´re at home, let alone abroad, but, if you are planning to study abroad as a creative writer, don’t forget to give yourself some time to generate new work. Here are a few tips that might come in handy.
During the month of November, the Prague Summer Program’s blog has focused on must-see attractions in Prague for creative writers considering signing up for the with PSP. Our final entry of the month will give a few more suggestions that we hope will take your breath away when the time comes to visit “the City of a Hundred Spires.” Most of the spires you’ll see on Prague’s horizon are nameless houses or minor churches and cathedrals while the most prominent tower is St. Vitus cathedral which forms the silhouette of the Prague Castle. In a nontraditional take, we bring you two modern spires and one out-of-town spire.