If you ever work with me in the workshop, you will have to process my critical responses to your writing. Some students feel overwhelmed by my responses, find them incredibly negative, but please understand that I live for the moments when I may unabashedly praise my students! However, I shall never praise you unless praise is truly warranted; more importantly, I’ll never level negative criticism unless it, too, is truly warranted.Read More
Consider the following spectrum:
Allegory_______________________________________Police reportRead More
There is a kind of story in which a narrator’s regard for another character is the focus, the primary reason for the narrative to exist. Some of you read The Great Gatsby in high school. Remember how mysterious, how intriguing Gatsby seemed to the narrator, the young guy who happened to rent a small house next door to Gatsby’s gaudy mansion? Can you see the parallel to the narrator/boss’s regard for Bartleby? There are many stories that take such a basic form. Many love stories have a similar dynamic; a mysterious “other” is often the focus of stories across the genres and sub-genres (even “superhero” stories). My point here is that if you (consciously or unconsciously) begin to conceive of a story in which such a dynamic is at play, “Bartleby the Scrivener” should echo through the dark chambers of your noggin! Read More
Sometimes, to create a sense of verisimilitude we over-describe, and usually do so regarding the most mundane activities, like getting a character from her car to the door of her house, through the door and into her house.
I mean, if a character (in either a fiction or nonfiction narrative) approaches her or his apartment door and pulls a keychain from her or his pocket, do we (your readers) need to know that that character then chose the appropriate key, pushed that key into the lock, turned the key, then turned the doorknob and pushed open the door? Well, consider the following:Read More
From Richard Katrovas: My rants are off-the-cuff mini-lectures on topics relevant to students of both fiction and nonfiction writing. When I teach “hybrid” writing workshops–classes that meet only six times in the classroom over the course of a semester–I send these ephemeral ditties to my students as follow-ups to our spirited, if infrequent, class discussions. The ones included here are general enough to make sense, I hope, to folks who were not privy to the conversations that spawned them.Read More
Why the Prague Summer Program for Writers Has Existed for Twenty-five Years, and Why It May Endure Another Twenty-five
As we come upon our 25th anniversary session, Richard Katrovas (PSP founder and director) and Ema Katrovas (PSP coordinator) reflect on the historical context of these past 25 years of the Prague Summer Program for Writers. Read More
The PSP blog has covered many topics, ranging from the culture and history of the Czech people to be benefits of study abroad programs. Today’s entry will focus on an interesting cultural artifact that is perfectly legal in Prague, one that you’ve likely seen referenced in 19th and 20th century literature. If you’re an adventurous type and you decide to come along with us to the city of Prague for your European study abroad program, you’ll have the opportunity to try Absinthe.
At the end of Alois Jirásek´s 1894 book of Czech legends, from which we have drawn in our other retellings, there is a series of as-yet-unfulfilled prophesies. The most famous one, the one Czechs return to in times of trouble, is the last one, about the knights sleeping in Blaník mountain, which lies about an hour outside of Prague. It is important to consider the time when Jirásek was writing, a time when Czech national sentiments were high but national autonomy was still to be won. Because it´s relatively short, and because the English version is so difficult to obtain, we have translated Jirásek´s entire chapter on the knights of Blaník mountain from the Czech.
In our second installment of Bohemian Legends, we find ourselves five generations after the death of Přemysl, whom we met in the last legend. Now, king Křesomysl (whose name means, roughly, “a mind of stoking,” implying a love of fire) has taken to the throne and some of the prophesies we heard in the first legend have come true.
The resting place of Horymír´s loyal and slightly magical horse, Šemík, can be found in the village of Neumětely, where one can visit it to this day. A tomb, built in 1887 over the place where Šemík was supposedly buried, reads: “In Neumětely people believed, and still believe, that here lies Horymír´s loyal horse, Šemík.”